What Is It About a Virgin?
When I revealed the title of my second book to one of my writing buddies, she wrote back: “Nice. Are virgins like the new dukes?” Apparently I’m not the only one name-checking virgins these days. She’d seen it on several other books, not unlike the proliferation of “dukes” of the last couple of years.
So, what gives? What is it about a virgin?
Before I go any further, let me acknowledge that not everyone loves a virginal heroine. In fact, some readers can’t abide them. Certainly, virgins-as-heroines are not as thick on the ground as they were back in the day, when I read my first romance in the late 1980s. In today’s contemporary romance, I’d venture to say that virgins are virtually nonexistent.
But my editor loved the title, The Virgin and the Viscount as soon as I suggested it, and as my friend said, I’m not the only author brandishing the big “V.” So perhaps this means that there are still a few of us virgin enthusiasts out there. Hey, I’ll admit, straight up, that one of my favorite romance tropes is a hero who believes a heroine is not a virgin, only to discover, after he deflowers her, that she is (or was). It’s out-dated and mysoginistic, and even I had to tone down some version of this trope (spoiler alert #1) to make my 1811-set Historical match modern sensibilities (although the resulting scene is still pretty devastating, if I do say so myself).
Regardless of who knows who’s a virgin, I still consider an innocent heroine—so long as she’s full of spunk and enthusiasm and healthy curiosity—to be playful and fun and totally sexy. She certainly offers a lot more interesting fodder for a love scene. Every romance author approaches these scenes a little differently, but for me, they must advance the story and up the stakes for the hero and heroine. In other words, they must be remarkable, worth spelling out in graphic detail. And nothing makes an interlude more worthy of remark or lengthy detail than the first time, especially for my over-the-top characters.
Also, virgins are historically accurate.
Also, we were all (or still may be) virgins, so we can relate.
Also, few sexual experiences are more wildly discussed, lamented, celebrated or (circling back) discussed than anyone’s first time. For better or for worse, we relish dishing about this topic. I defy you to think of your best friend and claim you have not heard the story of her first time.
Also—well, maybe this is more like a “primarily”—if you know me in real life, you know that I’m an old-fashioned kind of gal, and I simply prefer the virgins There, I said it. Or, at least, I prefer my eager, exploratory, and totally in-love virginal heroines. But hey—even if your not usually a fan of the virginal heroine, consider this: the leading lady in The Virgin and the Viscount (spoiler alert #2) does not know whether she is a virgin or not. Either way, I hope you’ll give Lady Elisabeth a try. And just like your best friend, let’s dish. Let me know what you think!
WOW! Ms. Michaels, for stopping by MBA&M today! Congratulations on your new release!
About THE VIRGIN AND THE VISCOUNT
In the next sparkling romance in debut author Charis Michael’s Bachelor Lords of London series, a proper viscount meets his match in a beguiling virgin who can’t help but break all the rules.
Lady Elisabeth Hamilton-Baythes has a painful secret. At the innocent age of fifteen, she was abducted by highwaymen and sold to a brothel. After two days, a young lord discovers her and enacts a brave rescue to get her out. Now she’s a grown woman, working to save other girls from the horror she saw that night and never forgetting the young man who rescued her.
Bryson Courtland, Viscount Rainsleigh has overcome an abusive boyhood, neglectful parents, and a bankrupt title to be one of the wealthiest noblemen in Britain. He works tirelessly to be upright and forthright and proper to a fault. Now he requires only one thing: A proper, forthright, proper wife.
When a charity event puts Lord Bryson and Lady Elisabeth face-to-face, Bryson has no memory of the wounded girl of long ago. All he can see is a perfect candidate to be his future wife. Elisabeth has never forgotten him, but she worries that the brave boy who saved her so long ago has become a rich man with an unfulfilled life.
As a whirlwind courtship reveals the truth, Bryson must accept that Elisabeth is actually a shadow from his dark past, while Elisabeth must show that love is the noblest virtue of all.
On April 12, 1809, Franklin “Frankie” Courtland, 6th Viscount Rainsleigh, tripped on a root in the bottom of a riverbed and drowned. He was drunk at the time, picnicking with friends on the banks of the River Wylye. According an account later given to the magistrate, his lordship simply fell over, bumped into a fallen log, and sank.
It was there he remained—“enjoying the cool,” or so his friends believed—until he became too heavy, too slippery, and, alas, too dead to revive. But they did dislodge him; and after that, they claimed he floated to the surface, bobbed several times, and then gently glided downstream. He was later found just before sunset, face down and bloated (in life, as also in death), beached on a pebble shoal near Codford.
At the time the elder Courtland was sinking to the bottom of the river, his son and heir, Bryson was hunched over a desk in the offices of his fledgling shipping company, waiting for the very moment his father would die. It had been an exceedingly long, progressively humiliating wait. Years long—nay, decades.
Luckily for Bryson, for his ships and his future, he was capable of doing more things at once than wait, and while his father drank and debauched his way through all respectability and life, Bryson worked.
It was an unthinkable thing for a young heir and nobleman—to “work”—but Bryson was given little choice, considering the impoverished state of the Rainsleigh crest. He was scarcely eleven years of age when he made first foray into labor, and not so many years after, into private enterprise. His life in work had not ceased since. On the rare occasion that he didn’t work, he studied.
With his meager earnings (he began by punting boats on the very river in which his father later drowned), he made meager investments. These investments reaped small gains—first in shares in the punting station; later in property along the water; later still, in other industry up and down the river.
Bryon lived modestly, worked ceaselessly, and spared only enough to pay his way through Cambridge, bring up his brother, and see him educated him, as well. Every guinea earned was reinvested. He repeated the process again and again, a little less meagerly each time ‘round.
By the time the elder viscount’s self-destructive lifestyle wrought his river- and drink-soaked end, Bryson had managed to accrue a small fortune, launch a company that built and sailed ships, and construct an elaborate plan for what he would do when his father finally cocked up his toes and died.
When at last that day came, Bryson had but one complaint: it took fifty-two hours for the constable to find him. He was a viscount for two days before anyone, including himself, even knew it.
But two days was a trifle compared to a lifetime of waiting. And on the day he learned of his inheritance—nay, the very hour—he launched his long awaited plan.
By three o’clock on the fourth day, he’d razed the rotting, reeking east wing of the family estate in Wiltshire to the ground.
Within the week, he’d extracted his mother from the west wing and shipped her and a contingent of discreet caregivers to a villa in Spain.
Within the month, he’d sold every stick of furniture, every remaining fork and dish, every sweat-soaked toga and opium-tinged gown. He burned the drapes, burned the rugs, burned the tapestries. He delivered the half-starved horses and the fighting dogs to an agricultural college and pensioned off the remaining staff.
By the six-week mark, he’d unloaded the London townhome—sold at auction to the highest bidder—and with it, the broken-down carriage, his father’s dusty arsenal, what was left of the wine stores, and all the lurid art.
It was a whirlwind evacuation, a gutting, really, and no one among polite society had ever witnessed a son or heir take such absolute control and haul away so much family or property quite so fast.
But no one among polite society was acquainted with Bryson Anders Courtland, the new Viscount Rainsleigh.
And no one understood that it was not so much an ending as it was an entirely fresh start. Once the tearing down ceased, the rebuilding could begin. New viscountsy, new money, new respect, new life.
It was an enterprise into which Bryson threw himself like no other. Unlike all others, however, he could only do so much, one man, alone. For this, he would require another. A partner. Someone with whom he could work together towards a common goal. A collaborator who emulated his precise, immaculate manner. A matriarch, discreet and pure. A paragon of propriety. A viscountess. A proper, perfect wife.
Where to buy THE VIRGIN AND THE VISCOUNT
Barnes and Noble: http://www.barnesandnoble.com/w/the-virgin-and-the-viscount-charis-michaels/1123479821;jsessionid=9AA3AF7CF6519D410D6E39F80D01F4FD.prodny_store02-atgap08?ean=9780062412935&st=AFF&2sid=HarperCollins%20Publishers%20LLC_7229674_NA&sourceId=AFFHarperCollins%20Publishers%20LLCM000023
About CHARIS MICHAELS
Charis Michaels is thrilled to be making her debut with Avon Impulse. Prior to writing romance, she studied Journalism at Texas A&M and managed PR for a trade association. She has also worked as a tour guide at Disney World, harvested peaches on her family’s farm, and entertained children as the “Story Godmother” at birthday parties. She has lived in Texas, Florida, and London, England. She now makes her home in the Washington, D.C.-metro area.
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